Pro Signal Processors & Recorders (44)

Audio Control LC8i 8-channel line output converter — add amps and subs to a factory system (Black) AudioControl's LC8i 8-channel line output converter (LOC) allows you to add aftermarket amps, speakers, and subs to your car's factory radio, so you can enjoy better and more powerful sound without losing climate controls, voice-activated functions or other built-in factory features. The LC8i accepts speaker-level signals, so you can use it with just about any setup, even high-powered amplified systems. General Features: 8-channel line output converter with auxiliary input 8 speaker-level inputs (each can handle up to 400 watts RMS) internal channel summing 1 pair of RCA auxiliary inputs 8 preamp outputs (up to 8.5 volts RMS) level matching controls with Maximized Indicator LED Other Features: wired remote controls auxiliary and subwoofer levels AutoMode™ turns 6-channel input to 8-channel output GTO™ signal-sensing turn on 12-volt turn-on lead output recommended fuse rating: 2 amps ⚠️Warning:This product can expose you to, known to the State of California to cause cancer. For more information, go to P65Warnings.ca.

Audio Control LC6i 6-channel line output converter — add aftermarket amps to a factory system (Black) AudioControl's LC6i 6-channel line output converter (LOC) allows you to add aftermarket amps, speakers, and subs to your car's factory radio, so you can enjoy better and more powerful sound without losing climate controls, voice-activated functions or other built-in factory features. The LC6i accepts speaker-level signals so you can use it with any setup, even high-powered amplified systems. General Features: 6-channel line output converter 6 speaker-level inputs (each can handle up to 400 watts RMS) internal channel summing 6 preamp outputs (up to 9.5 volts RMS) level matching controls with Maximized Indicator LED Other Features: optional wired remote subwoofer level controller available (#161ACR1) AutoMode™ turns 4-channel input to 6-channel output GTO™ signal-sensing turn on 12-volt turn-on lead output recommended fuse rating: 1 amp 8-1/16"W x 1-3/8"H x 7-1/2"D ⚠️Warning:This product can expose you to, known to the State of California to cause cancer. For more information, go to P65Warnings.ca.

Audio Control LCQ-1 6-channel line output converter with equalizer — add amps to your factory system (Black) AudioControl's LCQ1 6-channel line output converter (LOC) with 11-band equalization and bass restoration allows you to add aftermarket amps, speakers, and subs to your car's factory radio, so you can enjoy better and more powerful sound without losing climate controls, voice-activated functions, or other built-in factory features. The LCQ1 accepts speaker-level signals so you can use it with just about any setup, even high-powered amplified systems. General Features: 6-channel line output converter plus 11-band equalization and bass restoration 6 speaker-level inputs (each can handle up to 400 watts RMS) internal channel summing 11-band graphic equalizer subwoofer channels: 5 bands (center frequencies: 31.5, 50, 63, 80, 100 Hz) front and rear channels: 6 bars (center frequencies: 125, 250, 500, 1000, 2000, 8000 Hz) AccuBASS™ bass restoration circuitry 6 preamp outputs (up to 8.5 volts RMS) level matching controls with Maximized Indicator LED Other Features: Optional wired remote subwoofer level controller available (item 161ACR2) AutoMode™ turns 4-channel input to 6-channel output GTO™ signal-sensing turn on 12-volt turn-on lead output recommended fuse rating: 2 amps ⚠️Warning:This product can expose you to, known to the State of California to cause cancer. For more information, go to P65Warnings.ca.

Soundstream BX-23Q Bass Processor Reconstruction with Remote + Free Absolute Electrical Tape+ Phone Holder They say music soothes the soul, but poor control of your system can kill the harmonics of a beautiful song or road trip. If you want to extend great-sounding music from your source to your amps, then get yourself a Soundstream Digital Bass Reconstruction Processor. The BX digitally maximizes the ultra-low bass on all types of recorded material. The processor detects bass harmonics, then digitally recreates the original essentials for the incredible punch and impact of live music. Basically, you get more bass! Works great for music or factory radios that forgot we enjoy bass response in our systems! EDM, Banda, Rock, Jazz… No Problem! Bass Reconstruction Processor SWEEP: Select the frequency boosted by the equalizer. This is the “center frequency,” which can be as low as 27Hz or 63Hz. Choosing this frequency depends on your taste in music. WIDTH: increases or decreases the bandwidth range, or “Q,” boosting frequencies near the “center frequency.” Narrow Q focuses on harmonics immediately surrounding the center frequency. Wide Q unlocks harmonics all around the center frequency. DASH CONTROL: included with this bass processor can be mounted anywhere in the vehicle, but easy adjustment from the driver seat is recommended. The output level of the Bass Equalizer can be controlled. General Features: BX-23Q Bass Reconstruction Processor 3-band bass frequency equalizer, 50 Hz, 125 Hz, 315 Hz @ -12 to 12dB Frequency sweep adjustment at 27-63Hz 12V max 2-channel low-level RCA input Dash-mountable remote with subwoofer level control and subsonic filter, 35-80Hz RGB LED tarantula on top Authorized Internet Dealer 1-year Manufacturer's Warranty Dash Mount Remote Control Bass Restoration Lighted Display Parametric Bass Control PFM Subsonic Filter Balanced Inputs Bass Output Control PWM High Head Room Power Supply Output Level: 13.5 volt Frequency Response: 10Hz 100KHz THD: 0.003% S/N Ratio: 130dB Balanced Input Noise Rejection: 60 dB Absolute BT1700 Vinyl Electrical Tape is a good quality, multi-purpose vinyl insulating tape. It has great resistance to moisture and varying weather conditions. It is a polyvinyl chloride (PVC) tape that is flame-retardant and conformable. Details Resists abrasion, moisture, alkalis, solvents, and acids Flame-retardant and inhibits the corrosion of electrical conductors Made of durable PVC Compatible with rubber and synthetic splicing compounds Withstands a temperature range of 32 to 194 °F (0 to 90 °C) UL Listed, CSA and VDE Certified ⚠️Warning:This product can expose you to, known to the State of California, to cause cancer. For more information, go to P65Warnings.ca.

Soundstream BX-10 Digital Bass Reconstruction Processor with Remote+ Free Absolute Electrical Tape+ Phone Holder Soundstream BX-10 Digital Bass Reconstruction Processor They say music soothes the soul, but poor control of your system can kill the harmonics of a beautiful song or road trip. If you want to extend great-sounding music from your source to your amps, then get yourself a Soundstream Digital Bass Reconstruction Processor. The BX digitally maximizes the ultra-low bass on all types of recorded material. The processor detects bass harmonics, then digitally recreates the original essentials for the incredible punch and impact of live music. Basically, you get more bass! Works great for music or factory radios that forgot we enjoy bass response in our systems! EDM, Banda, Rock, Jazz… No Problem! SWEEP: Select the frequency boosted by the equalizer. This is the “center frequency,” which can be as low as 27Hz or 63Hz. Choosing this frequency depends on your taste in music.WIDTH: increases or decreases the bandwidth range, or “Q,” boosting frequencies near the “center frequency.” Narrow Q focuses on harmonics immediately surrounding the center frequency. Wide Q unlocks harmonics all around the center frequency.DASH CONTROL: included with this bass processor can be mounted anywhere in the vehicle, but easy adjustment from the driver seat is recommended. The output level of the Bass Equalizer can be controlled. General Features: Dash Mount Remote Control Bass Restoration Lighted Display Parametric Bass Control PFM Subsonic Filter Balanced Inputs Bass Output Control PWM High Head Room Power Supply Output Level: 13.5 volt Frequency Response: 10Hz 100KHz THD: 0.003% S/N Ratio: 130dB Balanced Input Noise Rejection: 60 dB ⚠️Warning:This product can expose you to, known to the State of California, to cause cancer. For more information, go to P65Warnings.ca.

Focusrite Scarlett 2i2 3rd Gen 2x2 USB Audio Interface   The compact yet versatile Scarlett 2i2 from Focusrite has been the most popular audio interface for artists across all genres. This third-generation 2-in, 2-out USB audio interface provides two mic/line/instrument inputs allowing simultaneous recording and playback of up to two channels with independently controllable headphones and monitor outputs. It also features two upgraded Scarlett mic preamps with switchable Air mode to give your vocal and acoustic recordings a brighter and more open sound. Equipped with high-performance 24-bit/192kHz AD-DA converters, this Scarlett third-generation model guarantees the same professional sound quality as the previous generations.   Easy to Connect: The high impedance, high-headroom instrument inputs allow you to record guitar or bass without any clipping or unwanted distortion, while Gain Halo metering makes it easy for you to set the input level. Scarlett 2i2 is designed to stand up to days on the road and connects straight to your Mac or PC via USB cable, with no external power required. Included Software: Focusrite Scarlett 2i2 comes with all the software tools you need to get started, including two comprehensive digital audio workstations: Ableton Live Lite and Pro Tools First Focusrite Creative Pack. Intuitive enough for beginners yet advanced enough to inspire real creativity with great-sounding effects. Free 3-Month Splice Sounds Subscription: Focusrite has partnered with Splice to give 3rd Gen Interface owners a free 3-month Splice Sounds subscription when setting up a new Splice account. Splice Sounds offers millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily from your favorite producers, sound designers, and artists. Creators use Splice to make all kinds of music, including chart-topping pop, Grammy-winning albums, underground mixtapes, and cinematic scores. Compact and Versatile This portable audio interface focuses on just three things; achieving the best sound, the fastest speed, and the easiest experience. Compact and versatile, the Scarlett 2i2 Audio Interface sports two natural-sounding Scarlett mic preamps with switchable Air mode, super-low latency, and the same class-leading sound quality and digital conversion as the rest of the Scarlett range. General Features: 2 Inputs and 2 outputs Compact and versatile for recording anywhere Two Scarlett mic preamps with switchable Air mode Two high-headroom instrument inputs Two balanced line inputs for line-level sources High-performance 24-bit/192kHz AD-DA converters Ableton Live Lite music-making software Pro Tools | First Focusrite creative pack Quick Start tool for easy operation Connectivity: USB Type-C Protocol: USB 2.0 Form Factor: Desktop Simultaneous: I/O 2 x 2 A/D Resolution: 24-bit/192kHz Number of Preamps: 2 Phantom Power: YES Instrument Inputs: 2 Line Inputs: 2 Analog Outputs: 2 Headphone Outputs: 1 Bus Powered Dimensions: 1.32” x 2.09” x 7.68” Weight: 1.04 lbs Included Software: Ableton Live Lite music-making software Pro Tools | First Focusrite Creative Pack Free 3-month Splice Sounds subscription with new Splice accounts Focusrite Red 2 & Red 3 Plug-In Suite A choice of 1 of 4 XLN Audio Addictive Keys virtual instruments Softube Time & Tone Bundle Access to the Focusrite Plug-in Collective What is in the box: Focusrite Scarlett 2i2 Gen 3 2x2 USB Audio Interface USB Type C-A Cable Ableton Live Lite Music-Making Software Pro Tools | First Focusrite Creative Pack Free 3-Month Splice Sounds Subscription with New Splice Accounts Focusrite Red 2 and Red 3 Plug-In Suite 1 of 4 XLN Audio Addictive Keys Virtual Instruments Softube Time and Tone Bundle Access to the Focusrite Plug-in Collective Limited 2-Year Warranty ⚠️Warning:This product can expose you to, known to the State of California, to cause cancer. For more information, go to P65Warnings.ca.

Focusrite Scarlett Solo 3rd Gen 2x2 USB Audio Interface With Single Microphone Preamp, 3rd Generation Focusrite Scarlett Solo 3rd Generation USB Audio Interface - SOLO-3G The simplest model in the range, the third-generation Scarlett Solo provides singer-songwriters with a reassuringly easy recording process. Equipped with high-performance 24-bit/192kHz AD-DA converters, Scarlett guarantees the same professional sound quality throughout the third-generation range. The Solo Audio Interface is designed to stand up to days on the road, connecting straight to your Mac or PC via USB cable, with no external power required. Switchable Air Mode The Scarlett Solo features a single upgraded third-generation Scarlett mic preamp with switchable Air mode to give your vocal and acoustic recordings a brighter and more open sound. Interface The high impedance, high-headroom instrument input allows you to record guitar or bass without any clipping or unwanted distortion, while Gain Halo metering makes it easy for you to set the input level. Plus, Scarlett Solo's balanced outputs are hum-free when connecting studio monitors with balanced inputs, so you’ll always have pristine audio playback. Included Software Your Scarlett Solo comes with all the software tools you need to get started, including two comprehensive digital audio workstations: Ableton Live Lite and Pro Tools First Focusrite Creative Pack. Intuitive enough for beginners yet advanced enough to inspire real creativity with great-sounding effects. Free 3-Month Splice Sounds Subscription Focusrite has partnered with Splice to give 3rd Gen Interface owners a free 3-month Splice Sounds subscription when setting up a new Splice account. Splice Sounds offers millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily from your favorite producers, sound designers, and artists. Creators use Splice to make all kinds of music, including chart-topping pop, Grammy-winning albums, underground mixtapes, and cinematic scores. General Features: One Scarlett mic preamp with switchable Air mode One high-headroom instrument input Two hum-free balanced outputs High-performance 24-bit/192kHz AD-DA converters Ableton Live Lite music making software Pro Tools | First Focusrite creative pack Quick Start tool for easy operation Connectivity: USB Type-C Protocol: USB 2.0 Form Factor: Desktop Simultaneous I/O: 2 x 2 A/D Resolution: 24 bit/192kHz Number of Preamps: 1 Phantom Power: YES Instrument Inputs: 1 Line Inputs: 1 Analog Outputs: 2 TRS Headphone Outputs: 1 Bus Powered: YES Included Software: Ableton Live Lite music making software Pro Tools | First Focusrite Creative Pack Free 3-month Splice Sounds subscription with new Splice accounts Focusrite Red 2 & Red 3 Plug-In Suite A choice of 1 of 4 XLN Audio Addictive Keys virtual instruments Softube Time & Tone Bundle Access to the Focusrite Plug-in Collective What's in the box: Focusrite Scarlett Solo 3rd Gen USB Audio Interface USB Cable Ableton Live Lite Music Making Software Pro Tools | First Focusrite Creative Pack Free 3-Month Splice Sounds Subscription with New Splice Accounts Focusrite Red 2 and Red 3 Plug-In Suite 1 of 4 XLN Audio Addictive Keys Virtual Instruments Softube Time and Tone Bundle Access to the Focusrite Plug-in Collective Limited 2-Year Warranty ⚠️Warning:Cancer and Reproductive Harm-www.P65Warnings.ca.gov

Tascam DR-10L Portable Digital Audio Recorder with Lavalier Microphone The TASCAM DR-10L is an ultra-compact, incredibly convenient combination digital recorder/lavaliere microphone. For added flexibility, the included wired lavaliere microphone is affixed via a 1/8” screw-down lock connector compatible with most Sennheiser lavalier mics and mics with the same connector. Power consumption - 0.45W.MIC input gain : +14dB to +38dB General Features: 44.1kHz/48kHz, 16/24-bit Linear PCM mono/poly recording Supports WAV format (compatible with BWF format) Media: microSD/SDHC cards (supports 32Gbcapacities) Lavalier microphone with microphone clip and windscreen included (cable length: 160cm) Records at least 10 hours on a single AAA battery Bundled with a free full version of RX7 Elements, iZotope's groundbreaking audio repair, and noise reduction tool Sliding record switch and hold function to prevent misoperation during recording Automatic file closing function to prevent the loss of already recorded data Dual recording function ⚠️Warning:Cancer and Reproductive Harm-www.P65Warnings.ca.gov

Tascam DR-10L Portable Digital Audio Recorder with Lavalier Microphone The TASCAM DR-10L is an ultra-compact, incredibly convenient combination digital recorder/lavaliere microphone. For added flexibility, the included wired lavaliere microphone is affixed via a 1/8” screw-down lock connector compatible with most Sennheiser lavalier mics and mics with the same connector. Power consumption - 0.45W.MIC input gain : +14dB to +38dB General Features: 44.1kHz/48kHz, 16/24-bit Linear PCM mono/poly recording Supports WAV format (compatible with BWF format) Media: microSD/SDHC cards (supports 32Gbcapacities) Lavalier microphone with microphone clip and windscreen included (cable length: 160cm) Records at least 10 hours on a single AAA battery Bundled with a free full version of RX7 Elements, iZotope's groundbreaking audio repair, and noise reduction tool Sliding record switch and hold function to prevent misoperation during recording Automatic file closing function to prevent the loss of already recorded data Dual recording function ⚠️Warning:Cancer and Reproductive Harm-www.P65Warnings.ca.gov

Tascam DR-70D 4-Track Portable Audio Recorder for DSLR Camera The DR-70D from TASCAM is the ultimate audio recording solution for filmmakers. Four balanced XLR mic inputs meet the requirements of production sound from professional users to indie DSLR shooters. The compact format can be mounted above or below a camera, and a pair of built-in microphones can capture sound on-set. The interface is designed for quick adjustment, with additional features to keep recording levels under control. Four XLR mic inputs with phantom power are included on the DR-70D, enough to cover busy scenes. The High-Quality HDDA(High Definition Discrete Architecture) Mic Preamps include 64dB of gain for quiet performances, and all four inputs have individual gain controls. Each input has a limiter and low-cut filter available for controlling volume. Also included is Dual Recording mode, which records a safe replica of your audio at a lower level to prevent distorted takes. Quality components like 5532 op-amps are used throughout for the clearest audio possible. Tracks on the DR-70D are captured to SD card, SDHC, or SDXC media – up to 128GB cards are supported. The recorder has tripod mounts on the top and bottom of the unit, allowing it to be mounted on a camera, a follow-focus cage, or a standalone. Other production-friendly features include a slate tone, low-noise buttons, a powerful headphone output, and standard AA battery power. They are uniquely designed for filmmakers, television producers, advertisers, and documentarians, the DR-70D packs multitrack recording into a package compact enough to use with any camera. General Features: They are uniquely designed to provide a multi-track recording in a compact package for filmmakers, television producers, advertisers, and documentarians. Four balanced XLR mic inputs with phantom power meet the requirements of production sound from pro users to indie DSLR shooters. The compact format can be mounted either above or below a camera, and a pair of built-in microphones can capture sound on-set The interface is designed for quick adjustment, with additional features to keep recording levels under control. The High-Quality HDDA Mic Preamps include 64dB of gain for quiet performances, and all four inputs have individual gain controls. Also included is Dual Recording mode Tracks on the DR-70D are captured to SD card, SDHC, or SDXC media – with cards up to 128GB supported. Compact, professional-grade audio recorder designed to be used in combination with a DSLR camera Uses an SD/SDHC/SDXC card as recording medium (up to 128 GB) High-quality recording inputs through Tascam original High Definition Discrete Architecture (HDDA) microphone preamps NE5532 operational amplifiers for even higher audio performance (also used on DA-3000) In addition to ordinary stereo recording, simultaneous recording of up to four channels is possible Four channels can be mixed down to a stereo signal Recording levels can be adjusted independently for inputs 1–4 The dual recording function allows two files to be recorded simultaneously at different levels Recording at 44.1/48/96 kHz, 16/24-bit, linear PCM (WAV format) Broadcast Wave Format (BWF) supported as a WAV recording format Two built-in omnidirectional microphones Four XLR/TRS combo inputs can provide phantom power (+24V/+48V) +24 dBu maximum input level (20 dB headroom) Additional unbalanced input for channels 1 and 2 (stereo mini jack) supports mics that require plug-in power, allowing the input of video mics and other high-output mics Switchable low-cut filter conveniently reduces low-frequency noise (40 Hz, 80 Hz, 120 Hz) Switchable limiter to prevent clipping ⚠️Warning:This product can expose you to, known to the State of California to cause cancer. For more information, go to P65Warnings.ca.

Tascam DR-70D 4-Track Portable Audio Recorder for DSLR Camera The DR-70D from TASCAM is the ultimate audio recording solution for filmmakers. Four balanced XLR mic inputs meet the requirements of production sound from professional users to indie DSLR shooters. The compact format can be mounted above or below a camera, and a pair of built-in microphones can capture sound on-set. The interface is designed for quick adjustment, with additional features to keep recording levels under control. Four XLR mic inputs with phantom power are included on the DR-70D, enough to cover busy scenes. The High-Quality HDDA(High Definition Discrete Architecture) Mic Preamps include 64dB of gain for quiet performances, and all four inputs have individual gain controls. Each input has a limiter and low-cut filter available for controlling volume. Also included is Dual Recording mode,  Quality components like 5532 op-amps are used throughout for the clearest audio possible. Tracks on the DR-70D are captured to SD card, SDHC, or SDXC media – up to 128GB cards are supported. The recorder has tripod mounts on the top and bottom of the unit, allowing it to be mounted on a camera, a follow-focus cage, or a standalone. Other production-friendly features include a slate tone, low-noise buttons, a powerful headphone output, and standard AA battery power. They are uniquely designed for filmmakers, television producers, advertisers, and documentarians, the DR-70D packs multitrack recording into a package compact enough to use with any camera. General Features: They are uniquely designed to provide a multi-track recording in a compact package for filmmakers, television producers, advertisers, and documentarians. Four balanced XLR mic inputs with phantom power meet the requirements of production sound from pro users to indie DSLR shooters. The compact format can be mounted either above or below a camera, and a pair of built-in microphones can capture sound on-set The interface is designed for quick adjustment, with additional features to keep recording levels under control. The High-Quality HDDA Mic Preamps include 64dB of gain for quiet performances, and all four inputs have individual gain controls. Also included is Dual Recording mode Tracks on the DR-70D are captured to SD card, SDHC, or SDXC media – with cards up to 128GB supported. Compact, professional-grade audio recorder designed to be used in combination with a DSLR camera Uses an SD/SDHC/SDXC card as recording medium (up to 128 GB) High-quality recording inputs through Tascam original High Definition Discrete Architecture (HDDA) microphone preamps NE5532 operational amplifiers for even higher audio performance (also used on DA-3000) In addition to ordinary stereo recording, simultaneous recording of up to four channels is possible Four channels can be mixed down to a stereo signal Recording levels can be adjusted independently for inputs 1–4 The dual recording function allows two files to be recorded simultaneously at different levels Recording at 44.1/48/96 kHz, 16/24-bit, linear PCM (WAV format) Broadcast Wave Format (BWF) supported as a WAV recording format Two built-in omnidirectional microphones Four XLR/TRS combo inputs can provide phantom power (+24V/+48V) +24 dBu maximum input level (20 dB headroom) Additional unbalanced input for channels 1 and 2 (stereo mini jack) supports mics that require plug-in power, allowing the input of video mics and other high-output mics Switchable low-cut filter conveniently reduces low-frequency noise (40 Hz, 80 Hz, 120 Hz) Switchable limiter to prevent clipping ⚠️Warning:This product can expose you to, known to the State of California to cause cancer. For more information, go to P65Warnings.ca.

Tascam DR-40X Portable Four-Track Digital Audio Recorder and USB Audio Interface Professional Features for Professional Audio Recordings The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set. A pair of cardioid condenser microphones handles high sound pressure levels and can be set up in AB or XY orientation for a wide stereo field or extra-clear reproduction with reduced phase displacement between both channels. Users can also use their own microphones or line-level source through dual Neutrik XLR/TRS combo jacks that support both mic level and +4 dBu line level from mixers or the FOH console. The microphone preamps include 48-volt phantom power and plenty of gain to capture everything from small whispers to loud live sounds. Using the stereo built-in microphones, you can capture ambient sound of the audience while recording directly from an external console, which is ideal for live performances. Like its predecessor, the DR-40X also offers dual-level recording, a feature that helps to avoid distortion by providing a second recording file created with a lower level setting. Simple to Operate The layout of the DR-40X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding marks are just a button press away. Menus are available in English, Spanish, Portuguese, French, Italian, German, Russian, Chinese, Korean, Japanese. Three different auto level modes (Limiter, Peak Reduction, Auto Level) can help to prevent accidental distortion while recording. You may apply one out of six reverb effects to the input or output signal, and an Overdub feature allows voices or instruments to be added to existing audio files. There is also a Level Align function that allows to smooth out any sudden volume jumps during playback, and a built-in speaker is provided for quick check-back. Other features like variable speed audition, low-cut filtering, chromatic tuner and more can be chosen from the menu. Transcript Your Voice Recordings The new Dictation Mode enables you to jump back and forth in preselected increments while playing back a file. It can be combined with speed control and a special dictation EQ making it useful for transcribing minutes recordings, for example. The new tape-style Overwrite mode with one level of undo lets you select a drop-in time and replace part of an existing recording. Turn Your Room Into a Studio – In a Minute Apart from handheld recording, the DR-40X can also be used as a USB audio interface with two inputs and outputs, making it a strong yet easy gear for voiceover work, live streaming, podcasting and songwriting with studio-quality audio. Portable, high-quality handheld recording Compact size and easy operation SD/SDHC/SDXC cards can be used as recording media (up to 128 GB) Supported audio formats: Linear PCM (WAV/BWF format) at 44.1/48/96 kHz and 16/24-bit Compressed (MP3 format): 32–320 kbit/s at 44.1/48 kHz (VBR files can be played but not recorded) Can be used as a USB audio interface with Mac and Windows computers (two inputs, two outputs) Recording Built-in cardioid stereo condenser microphone Accepts high sound pressure level up to 125 dB Easy setup (AB and XY configuration supported) XY configuration allows mono compatible recordings and high sound localization acuity (lively interviews or field recordings with ambience) Good directivity and channel separation Ideal for live music and field recording, news gathering, music training etc. MS decoder for recordings created with mid/side microphone configuration Stereo XLR/TRS mic/line input with phantom power (supports +4 dB line level input) 4-track recording Create two stereo recordings from the built-in microphones and the external mic/line input at the same time Create two stereo recordings with different level settings from the built-in microphones or external mic/line input at the same time Non-destructive overdub: Record a mix of one or two stereo playback files and a stereo input signal to a new stereo file or record only the input signal while playing back one stereo file Mixdown feature with level, pan and effect controls for each track (creates a stereo track from a 4-track recording) Overwrite function for punch-in recording with one level of Undo MS decoder for recordings created with mid/side microphone configuration Switchable low-cut filter (40 Hz, 80 Hz, 120 Hz, 220 Hz) Manual or automatic recording level setting Three Options of automatic level control during recording: Peak Reduction, Auto Level, Limiter Pre-recording buffer (2 seconds) allows a recording to start before the record key is pressed Auto recording start and stop by input level Self-timer allows a recording to start 5 or 10 seconds after pressing the RECORD button Create a new file during recording (manually or by file size) Mark function (manual or automatic, up to 99 marks for each file) Playback Automatic level align allows to increase the perceived overall sound pressure during playback Variable speed audition to change the playback tempo without affecting the key (50–200 %) Repeat function (repeat one track or all tracks) Loop function (repeat a marked section) Playlist feature to play files in a certain order Resume function (start playback from the audio position where the unit was last stopped) Jump back function to instantly review playback (1–10, 20, 30 seconds) Equalizer for tone control during playback MP3 ID3 tag display (up to version 2.4) Built-in monitor loudspeaker Headphones/Line output Other features Built-in reverb effect (6 presets, can be applied to input or output signal) Chromatic tuner function to tune your instrument File divide function to cut unwanted noise or to extract parts from long recordings Folder management to organize your file Hold function to avoid inadvertent operation QUICK menu button for easy access to various functions Menu language can be selected between English, German, French, Italian, Spanish, Portuguese, Russian, Korean, Japanese, Chinese Clear, backlit LC display USB 2.0 port for file transfer to/from computer Power supply by 3 AA size Alkaline or NiMH batteries (up to 15 hours continuous operation with phantom power off), USB bus power or optional AC adapter (Tascam PS-P520U) Long-time operation of over 20 hours is possible using just the internal batterie Rubber feet included for improving the acoustic properties during desktop recordings Stand adapter (¼ inch) on bottom side to attach the unit to a tripod or microphone stand Optional footswitch (RC-3F) and wired remote control (RC-10)